The Director’s Notebook with Stacey Muhammad

The Director’s Notebook with Stacey Muhammad

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ABOUT STACEY
ON CRAFT AND CALLING
THE LAB - CURRICULUM
WRITER'S LAB
DIRECTING LAB
ACTOR'S LAB
SHORT FILM LAB
LECTURE SERIES
THE CASE FILES
THE DIRECTOR'S VAULT
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Sitemap - 2026 - The Director’s Notebook with Stacey Muhammad

WHAT IS YOUR WHY?

THE EMOTIONAL LIFE OF A SCENE

WHAT THE SIDEWALK KNOWS

THE WORK BEFORE THE WORK

CROSS RENEWED FOR SEASON 3!

WHERE THE WORK BEGINS

Directing Actors: Truth, Action, and Trust

FOUNDING MEMBER CIRCLE 2026

Everything you love about New Orleans is because of Black people

AT A TIME LIKE THIS

WHAT'S UNDERSTOOD DOESN'T NEED TO BE EXPLAINED

Where We Belong

Race, Power, and the Language of American Cinema

INDUSTRY DISPATCH

From the Director’s Chair

STACEY MUHAMMAD

Happy Black Love Day Y'all

Welcome to the Director's Notebook

James Fauntleroy and the Work That Knows Itself

Directing Cross Season 1E5: The Ricochet Effect and the Cross/Ramsey Showdown

THE LAB - CURRICULUM

THE CASE FILES - The Architecture of the Dream

THE DIRECTOR'S VAULT - The Architecture of an Evolution

THE ACTOR'S LAB - The Architecture of a Truthful Performance

THE BUSINESS OF FILM - The Architecture of the Career

SHORT FILM BLUEPRINT - The Architecture of the Calling Card

EPISODIC DIRECTING LAB - The Architecture of the Hour

SCREENWRITER'S LAB - The Architecture of the Page

I Charge the White Man

The Work of Witness

Race, Power, and the Language of American Cinema

On Witness and Truth-Telling

Sinners, Lagniappe, and the Long Memory of Black Cinema

Welcome to The Director’s Notebook

© 2026 Stacey Muhammad · Privacy ∙ Terms ∙ Collection notice
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